Clan Donald Magazine No 12 (1991) Online
The MacArthurs, Pipers to the
Lords of the Isles By Seumas MacNeill
The MacArthur Clan
first appears in Highland history as being associated with Clan
Campbell in the Lennox and Dumbarton. They supported Robert the
Bruce in his campaign and so were given lands in Lorne and became
keepers of Dunstaffnage Castle. Early in the 15th Century Chief John
became a victim of James the First's periodical attempts to subdue
the Highlands. He was beheaded and his estates forfeited.
From an early time
the clan became famous for the number and quality of its pipers. The
piping branches were spread widely throughout the Inner Isles
principally at Mull and Ulva, and in Islay. Archibald MacArthur
(1770-1834) piper to MacDonald of Staffa, was awarded third prize at
the Edinburgh competition in 1804.
Tradition says that
the MacArthurs of Skye were a branch of the Islay family. In the
17th Century there were MacArthurs at Proiag on the east coast of
Islay just south of MacArthur Head.
By the end of that
century the Skye MacArthur Pipers were firmly established at
Hungladar on the Trotterish peninsula. The first one for whom there
is any written record is Angus, mentioned in a "judicial rental of
the lands of Sleat and Trotterish" dated 1733. It begins "Charles
MacArthur in Hungladar being sworn and interrogate in the Irish
Language depones that he and Angus MacArthur his father possesses
between them the one penny land of Hungladar whereof the ordinary
rent is 85 merks of silver ..." and finishes "... but the deponent
being the Laird's piper for his pains he is allowed to retain
three-fourths of the hail rent and this is the truth as he shall
answer to God. Cannot write."
The dates of birth
and death of the MacArthur pipers have not as yet been clearly
established. Angus lived from approximately 1665 to perhaps 1745, so
at the time of this rental he would be about 68 years of age and had
probably handed over the reigns of office to his eldest son Charles.
In 1735 there is a note of payments for servants' wages for the
house of Monkstadt, also in Trotterish and to which the MacDonald
Chiefs had moved from Duntulm Castle. It includes:
"To Angus
MacArthur piper and his son Charles as their wages for one year
to Whit last �59.6s.8d." and also "To Neil MacArthur piper as
one year's wages to Whit last �9.5s.4d."
Angus had 3 sons,
Charles, Neil and Iain Ban. The genealogy of the family is as shown
on the table below:
Angus c. 1665 - 1733+ |
| |
| |
| |
Charles c. 1688 - c. 1768 |
Neil ? - 1762 |
Iain Ban ? - 1779 |
| |
| |
| |
| |
| |
Donald |
Alex |
John |
Charles II |
Angus |
The elder Charles
lived from about 1688 to 1768. According to tradition he studied
under Patrick Og MacCrimmon for a period of 11 years, probably from
about 1693 to 1704. On his return from Boreraig he no doubt took the
position of second piper, after his father, to the MacDonald Chief,
Sir Alexander MacDonald.
When Sir Alexander
went to University in St Andrews from 1726 to 1729. Charles
MacArthur accompanied him as his piper, his pay in 1729 being
�66.13s.4d. By the middle of the century he was famous enough to be
linked with MacCrimmon in a poem by John MacCodrum, the North Uist
Bard. He it was to whom Donald Ruadh was sent for 6 months to learn
the "MacArthurs' particular graces" as described by Angus Mackay of
Roasay. He composed in 1766 the lament for his Chief, Sir James
MacDonald, and then became piper to Sir James' brother Alexander,
later the first Lord MacDonald. He died probably in the late 1760s.
Charles had two sons,
Donald and Alexander, both of whom were good players. Charles is
buried in the cemetery at Peingown. which is about half a mile on
from the museum at Kilmuir and within sight of Hungladar. Peingown
is where the MacArthurs had their school of piping.
After Charles died
Donald commissioned a tombstone to be placed over the grave with a
suitable inscription. The stone, which was restored a few years ago,
bears the inscription as follows:
"Here lie the
remains of Charles MacKarter whose fame as an honest man and a
remarkable piper will survive this generation. For his manners
were easy and regular as his music and the melody of his fingers
will"
And that is as far as
the stone mason got. Apparently Donald who was to pay for the stone
drowned while ferrying cattle from Uist to Skye and the mason,
fearing that nobody was going to pay for his inscription, simply
abandoned the job.
Charles's second son,
Alexander, another competent player, was never appointed as piper to
the MacDonalds, but more of him anon.
Angus's second son
Neil followed the family tradition of being piper to the MacDonalds
but later he left Skye to become a piper in the 77th Regiment.
Montgomery's Highlanders, commanded by Colonel Archibald Montgomery.
One of the Colonel's sisters was the famous Lady Margaret MacDonald.
having married Sir Alexander MacDonald of Sleat, and it was probably
because of this connection that Neil decided to join the Army and
certainly to join that particular Regiment.
The Regiment was
raised in 1757 and went abroad to fight the French in North America
and the West Indies. Neil died during the expedition to the Havanas
in 1762. He left a son John, who perhaps because of his father's
departure from Skye. was taught by his Uncle Charles. Probably he
would have had lessons from Charles anyway, he being the best piper
and the senior member of the family by this time. John is also
reputed to have had lessons from one of the MacCrimmons. He too left
Skye but this time to go to Edinburgh where he set up as a merchant
in the High Street. With his background he was undoubtedly the most
famous piper in Edinburgh and greatly sought after as a performer
and a teacher.
In 1783 at a special
competition he was presented with a set of pipes by the Highland
Society of Scotland, and later that year was appointed "Professor of
the Ancient Caledonian Music and Piper to the Highland Society of
Scotland." His salary for this was five pounds per annum, later
raised to ten pounds.
He seems to have been
very active as a piper and he put forward a plan for a college of
piping with the object of instructing "those whose services as
pipers may be useful in Highland regiments." Nothing came of this
however. He composed the Highland Society of Scotland's Salute which
has been published in various places. He died in 1790 being
described as "Professor of the ancient music of Scotland, no less
eminent as a performer than distinguished by his elegant musical
compositions for the bagpipe."
Not a great deal is
known of Charles's second brother Iain Ban. He was piper to Sir
Alexander MacDonald of Sleat in 1745 and died in 1779. His widow,
Marion MacLean. received the sum of �3.0s.6d. and a yearly pension
of a boll of meal.
The remaining two
grandsons of Angus MacArthur made significant contributions to
piping. Iain Ban's elder son Charles (usually referred to as Charles
II in piping literature) took second prize at the famous Falkirk
Tryst competition in 1781. the event which heralded the repeal of
the Act of Proscription. He became piper to the Earl of Eglinton,
grand-nephew of Lady Margaret MacDonald of Sleat, and as a result
spent a great deal of time at Elginton in Ayrshire. He is almost
certainly the piper who became friendly with Robert Burns, mentioned
by Burns as the Highland piper who introduced him to the beauties of
bagpipe music.
More important to the
history of bagpipe music however was Angus, Iain Ban's second son.
He succeeded his Uncle Charles as piper to Lord MacDonald. He played
in his own house in 1772 to Pennant who described the building as
having four apartments, one being a hall set aside for students. In
the following year he performed for Dr Johnson in Armadale Castle,
and both of these men were sufficiently impressed to leave us
permanent records of their reactions to Highland music.
Lord MacDonald later
moved almost permanently to London and Angus MacArthur went with
him. When the Chief died in 1796 Angus composed the very fine
"Lament for Lord MacDonald." By all accounts Angus was a very fine
player and certainly a talented composer. Apart from his Lament for
Lord MacDonald his tunes include the Salute to Lady Margaret
MacDonald and the Lament for Lady Elizabeth MacDonald. He died in
London, about 1820.
The great importance
of Angus MacArthur to piping lies not in what he did during his
lifetime, but principally that he was responsible for a manuscript
of 30 piobaireachds, six composed by members of his family, set down
in staff notation shortly before his death. Apparently Angus played
the tunes on his practice chanter and they were written in staff
notation by a John MacGregor, probably a member of the famous
Glenlyon Clan of the Storytellers. MacGregor was an accomplished
musician and so for the first time in the history of piping
piobaireachd was notated in staff notation by men who were
themselves expert players. A Mr Andrew Robertson was also involved,
probably checking the work of John MacGregor. Unfortunately the
tunes were written in the key of C, five notes below the key later
standardized by Donald MacDonald and Angus MacKay and now accepted
by pipers everywhere. Recently however the tunes have been
transcribed and the transcription together with a photocopy of the
manuscript is being prepared for publication.
With Angus MacArthur
died the last of the hereditary pipers to the Lords of the Isles.
His cousin Alexander, second son of the elder Charles,
unsuccessfully petitioned Lord MacDonald to be appointed hereditary
piper. On being refused he emigrated to America.
The MacArthurs' style
of playing, though not far different from the MacCrimmons, has its
own "particular graces" and these are proving of considerable
interest to students of piobaireachd nowadays. The main line of
MacCrimmon teaching which has come down to us though the book of
Angus MacKay and the pupils of his father, is the style played
generally nowadays, but the MacArthur playing represents a strong
and vigorous alternative and although there are no direct
descendants in the teaching sense today, it is very possible that
with the publication of Angus MacKay's manuscript some of these
different and exciting styles may be heard in the future from our
top players.
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